Il ritmo (come fai a non ballare?) - Ryhthm (how can you not dance?) 
Modern methods of music education such as
Manual music (Mario Fulgoni, the first volume - Music publishing Note ) start the learning with the study of rhythm. I fully agree with the idea saying that
then the rhythm is the basis of music . E 'logical, given that it was probably the first form of communication human. The consolidated image of the cave man to transmit messages that he beats his chest it is a clear indicator. E 'then a sign of intelligence and security, and regularly transmits it is no coincidence that the mechanism is also visually, advertisements, paintings and architecture in the form of figures that repeat themselves. The impact itself is therefore an external pulse of the human heart and is also a form of release and release of tension that reflects the desire to move freely and probably dancing. Translated
in music, Bobby McFerrin docet, talking about Bach and the "Danceability of music" (the ability of music to dance) in a documentary Michael Lawrence of MLF films: That
"[...] I'm surprised When you hear this music (speaking of Bach) That you just do not really let yourself go, Because, you know (he start singing) .. .
I mean ... how can you not dance to That ? [...]".
"[...] I do not know how do you listen to this music (by Bach) without letting go (starts singing) ... I mean ... how can you not dance
? [...] " .
In practice, we start by convention with the pace that our Western culture seems to prefer the
four quarters. Four quarters means nothing more than four beats or four beats. We use the term QUARTERS (or means, eighths, and rarely, sedicesimi e trentaduesimi) per facilitare la suddivisione ritmica, che affronteremo più avanti.
Iniziamo contando da uno a quattro in modo ciclico ad alta voce e battendo le mani ogni volta che si pronuncia il battito numero uno. Poi facciamo lo stesso, ma battendo in corrispondenza di ogni numero. Più volte si batte le mani all'interno di un ciclo e più si
suddivide .
Il passo successivo consiste nell'ascoltare delle canzoni qualsiasi e ben ritmate accompagnando con il battito di mani
la pulsazione. Questa pulsazione è il cuore della musica e il battito di mani deve essere
uniforme e regolare . Lo si può fare in qualunque momento, anche senza strumento. All'inizio lasciatevi guidare dall'istinto e il vostro corpo si muoverà automaticamente a tempo.
A lot of modern music methods often start from rythm.
I fully embrace this structuring by saying that
ryhtm is the foundation of music .
It's quite obvious, since it's one of the most, if not "the", most ancient form of human communication. Think about the caveman beating his chest to deliver his messages.
Then, it's a sign of regularity and cleverness and it's not by accident that the same principle applies to drawings, architecture and advertisings, where ryhthm shows up as repeating pictures.
Percussion is also a figurative translation of the human heart and a rite, both of releasing tensions and of movement and dance.
Musically, Bobby McFerrin docet, speaking of Bach and the "
danceability of music " in a Michael Lawrence's documentary, by MLF films:
"[...] I'm surprised that when you hear this music (Bach) that you just don't really let yourself go, because, you know (he start singing)... I mean... how can you not dance to that ? [...]". So, the first thing we want to do to get familiar with rhythm, is basically
to clap our hands .
Start by counting out loud 1,2,3,4 and clapping every four beats. Move on by clapping on every beat. As we progress, we will start to Subdivide the beat further.
Get in touch with your favorite songs and clap your hands along. Do it istinctly and your body will do the rest.
