Sunday, October 4, 2009

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I gradi di una scala

In each scale, each note has a name:

1) Tonic (the name is one that gives the staircase, has the function to "fix" the musical)
2) overtones (he ; tendency to resolve to the tonic)
3) By , characteristics, methods (determines if a scale is larger or smaller)
4) subdominant (tends to resolve to the means)
5) Dominant (note that enjoys a certain stability, similar to the tonic)
6) Sopradominante (tends to resolve to the dominant)
7) Sensitive (it is known that more than any "push" towards the root and this is a semitone) or subdominant (unlike the sensitive is a tone from the tonic)

To illustrate:

Hue OD:

1) DO: tonic
2) RE: supertonic
3) MI, by characteristic, modal
4) FA: subdominant
5) SOL: dominant
6) LA: sopradominante
7) SI: sensitive


shade FA:

1) FA: Tonic
2) SOL: supertonic
3) LA: through, characteristics, methods
4) B-flat: subdominant
5) DO: dominant
6)RE: sopradominante
7)MI: sensibile

Le altre tonalità trovatele come esercizio.

Tutte le note tendono a risolvere in senso discendente, tranne la sensibile che invece “spinge” verso l'alto, cioè verso la tonica. La prima, la terza e la quinta nota di una scala si comportano quindi come dei “nodi magnetici” che attirano le altre note. Il nodo più forte è la tonica.

E' molto utile visualizzare i gradi come se fossero dei veri e propri gradini di una scala (clicca sull'immagine per ingrandirla):




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